视频简介
物理系天才李天（张睿饰）醉心研究「前卫科学-意识的力量」。他的母亲著名音乐人梅雪燕在日本卷入一宗神秘平交道事故，李天只身前往日本，不料已踏进一个精心策划的犯罪陷阱里。幕后的强大敌人暗中摆布着李天，用比他更尖端的前卫科学，进行一连串犯罪事件。李天在东京遇上了活泼率真的张妮（何杜娟饰），负责调查案件的刑警山崎（苗侨伟饰），他们三人组成一支关系微妙的探案团队。事件矛头直指二十多年前的神秘乐队“先行者乐队”，三人找到了多年追查乐队的身带残障的报社记者服部介（张孝全饰），了解到真相关系到二十年前，先行者乐队在鹿鸣馆表演中发生的一场巨大火灾，更牵涉到李天父母辈的惊人秘密……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。诚人（松田龙平 饰）是一名在边缘挣扎的摄影师，有一天，他收到前女友静流（广末凉子 饰）的来信，信中说自己要在纽约开摄影展了。 回忆的匣子打开了，三年前大学里两人的故事从一个美丽的橘子开始，两人的分裂却源于静流叫诚人教她摄影，原本只是单纯想融入诚人的世界的静流却显示出极高的天赋，迅速在摄影比赛中捧回新人奖，这让诚人心生嫉妒，进而提出分手，静流说会等他有一天成为一名专业的摄影师再和他见面。 时光荏苒，两人未曾有过任何联系，可是同学会上竟传来静流早就在一年前死去的消息。诚人无法相信这是真的，他登上了飞往纽约的航班寻找静流……。