视频简介
崔达布（李钟硕 饰）是一名出租车司机，每日，他都奔波在城市的各个角落，为了供侄女崔仁荷（朴信惠 饰）念书而拼命赚钱。虽然崔仁荷是崔达布的“侄女”，但两人却并没有血缘关系，甚至连年龄也相差无几。原来，崔达布曾经被崔仁荷的爷爷搭救收养，为此，崔达布从内心里由衷的感恩着。 徐凡潮（金英光 饰）是不食人间烟火的富家大少爷，从小打到过着养尊处优的优渥生活，早已经与社会脱节。尹宥莱（李侑菲 饰）曾经是一名疯狂追星的粉丝，如今成为了记者。命运行驶在各自轨道上的四人，在机缘巧合之下在电视台相遇，短短的二十四小时里，他们要凭借各自的智慧，找出事件的真相。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
